intertribal: (put it out for good)
So my mother and I are watching Adaptation.  If you haven't seen it, it involves a lot of orchids.

My mother suddenly laughs at something in the movie.  "The song!"

"What is it?"

She starts singing.  "Wild, wild orchids..."

Me:  "What?  Really?" 

"Yeah, it's the Stones!"

"... isn't it 'Wild Horses'?" 

Silence.  "Are you sure it's 'horses'?"  

"Wild, wild orchids couldn't drag me away?" 

My mother has said some strange things ("whales are fish, right?") but this is by far the strangest. 

intertribal: (Default)
This was inspired by a conversation with Lindsey about which movies we remember (and are drawn to) and why. Behold, a picspam!list of movies that have stayed with my soul, in order from most to least enduring internal resonance. This isn't an exhaustive list and it's certainly not a list of all the movies I consider great. There are movies that are on my official "Top 10" list (of technical and artistic brilliance) that are not included here. These are movies that stick around in my head, that I often reference in conversations, and often for reasons I can't really identify. Some of these are totally WTF and others were Oscar winners. I didn't include anything that I'd seen in the past year because I want a longer threshold than that. Anyway, I think the results actually say loads about me, I think, because a lot of them are similar.

So the conclusions I draw from this list are that there are certain themes in movies that jibe well with me: 1) small towns, 2) children/adolescents, 3) "ordinary people" violence, 4) the bizarre, 5) the wild, 6) the alien. That, and music seems to really matter, and I seem to be pursuing some kind of search for moral clarity.  Makes sense for Ilium.  
intertribal: (drive fast dress in black)
DR. FELL
Dante's first sonnet from La Vita Nuova. He saw Beatrice Portinari across a chapel and he loved her at that instant and for the rest of his life. But then had a disturbing dream -

ALLEGRA (reading from text)
Joyous Love seemed to me, the while he held my heart in his hands, and in his arms, My lady lay asleep wrapped in a veil -

DR. FELL (continuing from memory)
He woke her then, and trembling and obedient, she ate that burning heart out of his hand. Weeping, I saw him then depart from me.

ALLEGRA
He saw her eat his heart!
I was just thinking about Stevie Nicks.  Some girl on American Idol was named after her - I look at my mom, I'm like, "how come I'm not named after a musician?" and she says, "Like who?" and I say, "I don't know" and she says, "Well, that's probably why.  You come from a family that does not worship famous musicians."  "Who do you worship?"  She thinks about it.  "Nothing."  Anyway, then "Silver Springs" comes on the internet radio.  I'd forgotten about this song.  I own it on an old CD (1998 Grammy Nominees) but I deleted it at some point, evidently after I had forgotten how awesome it is.  Well, it's back in my music library now!

I don't know how to explain myself anymore.  When she sings "time cast a spell on you..."
intertribal: (a sense of joy and then a panic)
Based on an essentially speechless review in [livejournal.com profile] moviebuffs a while back, I decided I wanted to see Synecdoche, New York. As luck would have it, it came to Lincoln this weekend, so my mother and I went to see it. Lincoln's one "independent" (university-associated) theater was the most full I had ever seen it, jam-packed with people who were going to see the other indie movie opening this weekend, Slumdog Millionaire. I have in all honesty never seen so many people go to see a movie at the Ross. It had gotten a two-page spread in the entertainment section - the spot reserved for movies like Lord of the Rings, Benjamin Button, etc. Those spreads tend to work wonders in Lincoln.

So we're sitting in the other, tiny theater at the Ross, with the eight other people who are seeing Synecdoche, New York instead of Slumdog Millionaire. A trailer comes on for Slumdog Millionaire. It's bright and colorful and has "Hoppípolla" playing and Time magazine says it's a hymn to life and oh! My mom leans over to me. "It might be interesting just for the visuals of India." I just snorted. Then they showed a trailer for Stranded: I've Come From A Plane That Crashed in the Mountains, and my mom was like, "There, that's more your thing." But anyway, our movie started - Synecdoche, New York - and I can tell immediately that it's not going to be a visual feast, it's not going to be a "hymn to life" in the typical sense, and I'm afraid my mother is going to hate it. I already have the feeling that I will love it, from the opening frames, partly because I love Charlie Kaufman's work. Well, I love Eternal Sunshine of the Spotless Mind and Being John Malkovich. Those are the only two of his movies I've seen.


I don't know how to give a review of Synecdoche, New York. Basically and importantly, it's directed and written by Charlie Kaufman and stars Philip Seymour Hoffman, who's brilliant as always. I'll give the barest of plot descriptions: A theatre director who's spent his professional life directing adaptations of other people's plays gets a MacArthur genius grant after his super-famous-artist wife takes his daughter and relocates to Berlin, and he launches into the construction of his magnum opus, a "brutal" and "tough" and "honest" work that is true to his self, whatever that is. He takes over a huge abandoned warehouse in New York City and starts building within it the world inside his head - replicas of the apartments and houses that feature in his "real" life, replicas of the people that have featured in his life, replicas of himself. That's about as far as I can go. I read several reviews of this movie before seeing it and none of them did it justice. It's definitely a Kaufman movie both in style - extremely surreal and dark and loving and hilariously absurd - and content: mental processes, memory, desire, creation, the self, the self in suffering. Synecdoche, New York in particular reminded me very much of a commencement speech Lindsey gave me a link to, by David Foster Wallace at Kenyon College in 2005. So Lindsey, I especially recommend this movie to you.
And the so-called real world will not discourage you from operating on your default settings, because the so-called real world of men and money and power hums merrily along in a pool of fear and anger and frustration and craving and worship of self. Our own present culture has harnessed these forces in ways that have yielded extraordinary wealth and comfort and personal freedom. The freedom all to be lords of our tiny skull-sized kingdoms, alone at the center of all creation. This kind of freedom has much to recommend it. But of course there are all different kinds of freedom, and the kind that is most precious you will not hear much talk about much in the great outside world of wanting and achieving and [unintelligible -- sounds like "displayal"]. The really important kind of freedom involves attention and awareness and discipline, and being able truly to care about other people and to sacrifice for them over and over in myriad petty, unsexy ways every day.
After the movie ends my mother sits there staring at the screen. (I have been crying, but I'm always crying these days) Usually she jumps up at the end of movies and gets me up and on our way out. She's not a movie buff - she sees them once, enjoys it, and the experience is over. Not this one. It reminded me of the time we went to the Lied to see some very bizarre singer whose name I can't remember and my mother was totally overwhelmed by this one song about what goes through the mind of someone who's dying. I can't get her to look away from the screen until the credits were over. And of course she is my mother and I'm an only child and my father is dead, so it's strange for me to see her so absorbed in something that has nothing at all to do with me, something that has spoken to her own self... whatever that is. After the credits end (and we never stay for the credits) we push our way out of the Ross, because it's now overflowing with people who are there to see Slumdog Millionaire. My mother says, at last, "And all these people are going to see that other movie!", laughing and shaking her head. When we get out into the open she takes a deep breath, points to the sky, and exclaims, "Look at the moon!" It's very bright and full tonight, and the clouds look all layered and textured. Then she sighs and says, "That was one of the most amazing movies I have ever seen."

I can't really say much else, except that it left me feeling peaceful and strangely centered given that it opens with the main character getting a sink blown up in his face, and I'm very happy to have seen it. I give it the strongest recommendation I've given to a movie in a long time, but be aware that it's a movie you'll either love or hate. To me, it was absolutely beautiful. Perfect, as Caden Cotard would say. I'm going to include one last thing - a monologue by an actor playing a minister presiding over a funeral from late in the movie that my mother and I and apparently some IMDb user agree is the psychological and narrative climax of Synecdoche, New York:
Everything is more complicated than you think. You only see a tenth of what is true. There are a million little strings attached to every choice you make; you can destroy your life every time you choose. But maybe you won't know for twenty years. And you'll never ever trace it to its source. And you only get one chance to play it out. Just try and figure out your own divorce. And they say there is no fate, but there is: it's what you create. Even though the world goes on for eons and eons, you are here for a fraction of a fraction of a second. Most of your time is spent being dead or not yet born. But while alive, you wait in vain, wasting years, for a phone call or a letter or a look from someone or something to make it all right. And it never comes or it seems to but doesn't really. And so you spend your time in vague regret or vaguer hope for something good to come along. Something to make you feel connected, to make you feel whole, to make you feel loved. And the truth is I'm so angry and the truth is I'm so fucking sad, and the truth is I've been so fucking hurt for so fucking long and for just as long have been pretending I'm OK, just to get along, just for, I don't know why, maybe because no one wants to hear about my misery, because they have their own, and their own is too overwhelming to allow them to listen to or care about mine. Well, fuck everybody. Amen.


this.

Jan. 6th, 2009 11:07 pm
intertribal: (Default)
Robot Chicken: This is America!
intertribal: (red barn)
Oh my God.  I need to start studying.  Fuck!  Okay, colonialism IDs after this. 

Tilda Swinton is fucking hot in that Narnia movie.  Yes, I know, ice is not hot, whatever.  They fuck up that imagery themselves. 
 

I'm definitely joining the pagans on this one.  Sorry, Jesus.  
intertribal: (halflight)
I'm pretty sure that my obsession with this series (Silence of the Lambs, Hannibal, Red Dragon) says a lot about me. 

Paul Krendler: What the hell are you doing sitting there in the dark, Starling?
Clarice Starling: Thinking about cannibalism.

Hannibal Lecter:  There are shallow rollers, and there are deep rollers.  You can't breed two deep rollers... or their young, their offspring, will roll all the way down... hit and die.  Agent Starling is a deep roller, Barney.  Let us hope one of her parents was not.

Clarice Starling:  I know the first thing a hysteric says is "I am not a hysteric," but I am not a hysteric, I am calm. 



intertribal: (petty dictator)
Holla.  Day after Thanksgiving, I'm back at school after spending the holiday with Kim's family in Queens.  We saw Twilight.  Twilight was pretty special.  It was like a TV movie with really bad make-up and acting.  In addition to, of course, being a vampire movie that completely lacked in scares (except the bad relationship kind) - but I've already written about how much it bothers me when vampires or whatever are romanticized (here they're virtually invulnerable) and humans are depicted as being stupid and weak and only attractive because they're so fragile.  Also, I don't think I was previously aware of how classist Twilight is.  Get this: she gets to choose between a) the vampire, who drives a fancy sports car, lives in a glass mansion, listens to classical music, whose vampire!father is a doctor, and is obviously very white, and b) the werewolf, who doesn't seem to have his own car but whose disabled father drives an old pick-up, lives on a reservation, and is Native American.  Guess who she chooses.  By the last book she has her own sports car.  And is a vampire.  WHAT IS THIS. 

This song has been my obsession lately. I heard it at the end of an AMV and it's like... been the last twenty songs I've listened to.


"Children of the Korn" - Korn (feat. Ice Cube)

Pretty crazy, right?  But for one, I associate it with Nebraska, and for two... I don't know.  I'm really into Korn right now?  It's so strange, because I first became aware of them in middle school, but only as a favorite band of a certain guy someone on my friends' list was into... he got so uncool later, dating the head cheerleader and all.  I always thought Korn was too "heavy metal" for me.  

Actually, the other thing is that Ilium is turning into a very anti-elders manifesto.  Ironically my own parents were amazing parents.

holy shit.

Oct. 25th, 2008 03:28 pm
intertribal: (Default)
Just a quick note: 

Werner Herzog is God and I must watch all his movies.

That is all.
intertribal: (hi i'm kate moss)

President H.W. Bush: "Now Junior, I mean Dubya here, he's the real Born-Again."

W. is a movie I think every American should see. It starts off and you're so amused by the "impersonations" by the actors of Bush and his cabinet that you think it's going to be an SNL skit, but what it becomes is cathartic experience.

First off, let me just confirm that Josh Brolin is one of my new favorite actors. Yes, all I've seen is this and No Country For Old Men, but, damn. He's a talented guy.

Does Bush come off as sympathetic? Yes, in a welcome-to-the-human-race kind of way (Perp: "You don't know what it's like." Goren: "What? To work so hard, and still be a nobody?" Perp: "Yes..." Goren: "Welcome to the human race."). Would Bush, as Stone I believe said, like this depiction of him? No. It's fair, and it's sympathetic, but it's not gentle. I seriously doubt any of his supporters would like this movie. Other people who come off similarly include Colin Powell, the rest of the Bush clan, and Laura Bush. Plenty of people come off as unsympathetic - Condoleeza Rice was a particularly grating sycophant, Rumsfeld and Cheney are brutal strategists who disappear when the "WMDs" in Iraq are similarly nowhere to be found, and Karl Rove is a peculiar Gollum-like creature who skulks in the shadows of the war room with binders filled with statistics who lives so vicariously through W. that at one point he calls George H. W. Bush "Poppy".  But part of W.'s problem is that he is surrounded by people trying to put words in his mouth - Rove and Cheney in particular are the most egregious of the bunch - and he must every now and then remind these underlings that he is the President, he's leading the campaign, it starts and ends with him.  As it turns out this is because he suffers from a chronic fear of not being in control of his own life, not living up to the Bush name, not being Texan enough, not "earning his spurs", as his father puts it.  

What this movie drives home is something I very much agree with: that politicians are just people, just normal people with the same psychoses and neuroses the rest of us have - they've just got the power to act on their insanity. W.'s problem is essentially that he lives in fear of disappointing his father, who prefers his brother Jeb - when W. becomes governor of Texas but Jeb loses the same race in Florida, Bush Sr. mopes about how hard it is for feet-on-the-ground, head-screwed-on-straight Jeb, and W. says, "Why do you always have to be feel bad for Jeb? Why can't you feel good for me?" When Bush Sr. loses the presidential race in 1992 and breaks down crying, saying he thought the war would be enough, W. is flustered and infuriated - he shouts that this would never have happened if his father had charged onto Baghdad like W. told him to. While pacing outside as his mother consoles his father, W. tells Laura that he will never let that happen to him. And indeed: during the campaign for war in Iraq, he asks Ari Fleischer if the latter told the press that "I hate assholes who try to kill my dad".


At a disastrous press conference, Bush struggles to pick his worst mistake.

We have no idea, of course, if these conversations took place, but they may very well have. The thing is, I've realized recently that part of the reason I want to work in government is because I want to be there for the wank. People in government are crazy, snarky, bitter, tired people, and this movie captured that excellently. My favorite scene in the whole movie is probably when W. is leading his cabinet - in their suits and their middle-aged bodies - on this trek through some kind of military training ground that is essentially prairie. They're constantly batting at flies and trying not to groan because W. in his safari suit is so enthusiastic about this, laying out his vision for the war in Iraq and dismissing Colin Powell as a worrywart, cracking jokes that the rest of them are obligated to chuckle at. They seem to have lost the trail, but W. assures them the vehicles are just up ahead, another half a mile, "just follow me!" and they all head off into the wilderness.

A lot of people think that politicians are a different class of people. They're either super-intelligent hyper-Americans, revered as Gods, or soulless, evil robots (or soulless, evil puppets who can't tie their own shoelaces). This girl in my thesis class said the other day, "People in the State Department are all the same. They just re-program the new people that come in." And a lot of people follow this idea that Capitol Hill is all anonymous suits and ties, "yesmen", cronies working for Big Ideas. This is just bullshit, and that goes for both parties. Believe me. People in the State Department are most certainly not "all the same". I can tell stories. This is from my research:

"The fact that the USA tried to discredit Sukarno through attempting to make a pornographic movie about his romantic proclivities indicates the climate of the times."

"While some of Sukarno’s American critics considered his recent outburst egregious but not inconsistent with previous antics, the CIA detected a deeper significance. Agency analysts began to suspect that Sukarno was becoming mentally unhinged… One of Sukarno’s wives, his fourth, seemed to be the source of most of the problems; the CIA’s contacts reported that some of Sukarno’s associates were plotting to kill her."

"The undersecretary of state [Ball] discounted what he considered wishful thinking by Jones; the ambassador, whose retirement was at hand, seemed to be showing the strain of seven years at a difficult post. An extraordinary request by Jones a few days earlier that Johnson personally assure Sukarno that the CIA was not trying to assassinate him did not improve Ball’s estimate of the ambassador’s judgment."

I'm sorry, but this is stuff I find positively hilarious.  And it's all true, and it all had real consequences.  Politics is about a lot of things, but politicians are not sterile 'droids.  They're not all-bad or all-good, like so many people would like to believe.  They don't behave in a way a realist political scientist would describe to be "rational".  But then again, who does.  People are not perfect calculators of gain/loss margins. 


W. and his reverend pray after he announces that he has heard the call:
"God wants me to run for president."
The reverend's doubt-filled reaction: "... truly?" 

intertribal: (protein pills)

The Hills Have Eyes.  Not Lake Dead.

Lake Dead = The worst rip-off of The Hills Have Eyes.  EVER. 
     - Worse even than The Hills Have Eyes 2.  And boy, that movie was bad.

Real problem with movies like The Hills Have Eyes: they generate so many awful rip-offs that think they're doing the same thing - good people vs. murderer-rapist-cannibals (wait, didn't Faulkner first do this?) somewhere in uncivilized America - but they completely lack everything that made THHE good: blatant gore (not fake cut-away gore), political critique, character development, good acting, good make-up, an unsensual eye, and atmosphere.  Oh, the lacking atmosphere.  

I don't think I've ever written about how much I love, love, love the remade THHE (I've never seen the original).  I knew I would since seeing that "Mein Teil" AMV and reading the Wikipedia entry - and I actually bought one song off the soundtrack, "Beast Finds Beauty" (Beast and Beauty are the family's German shepherds - Beauty, the male dog, is killed and eaten by the mutants, but Beast, the female dog, survives and helps the protag Doug save his baby) before I ever saw the movie.  It was my "favorite movie I've never seen".  I wasn't disappointed when I finally did see it over the summer.  When survival horror is good, it's very, very good.  THHE's the kind of movie that's going to get a lot of flak for "gratuitous sex and violence", but I'm so tired of cut-away, assumed violence that I wouldn't care even if it was gratuitous.  It's not.  Sometimes I wonder what these people would do if they ever read a Western.  I mean, I'm reading about dead babies hanging from trees like every other page, and this is widely regarded as one of the best American novels of the past quarter-century. 

I'm not saying Blood Meridian's not great - it is - but "regeneration through violence" is part of humanity's thematic landscape, not some twentieth century slasher-flick trend.  And it's a lot worse when there's no regeneration at all, no catharsis, because violence has no consequences and is never really that bad.  Because people are that bad, and they're not that bad because they watched THHE or Cannibal Holocaust or Tom & Jerry or a Madonna video or whatever.  What the fuck are they going to blame the Inquisition on?  Have they read Bartoleme De las Casas' "Devastation of the Indies: A Brief Account"?  Again - television did not exist then, and the Spanish were already feeding babies to dogs and ripping open pregnant women and massacring like millions of people. 

It somewhat reminds me of this LJ comment I read today (with a peace sign userpic!) on a controversial!photoshoot featuring naked men and guns, "dominating" each other a la war on terror: 

"I hate these. I hate the use of guns in this 'fashion' shoot.  Shows how militarized our society is."

What, are you serious?  I don't understand people like this (the user also claims to like Chuck Palahniuk, which just makes me doubt Chuck Palahniuk's credibility as some kind of countercultural iconoclast even more).  My cousin-in-law is similar.  She hates watching depressing movies (and by depressing, I mean Apocalypse Now, because she just had to know what my favorite movie is) because she doesn't like being depressed. 
I would clearly fail as a hippie. 

Oh yeah.  I'm going to be changing my username soon.  So if you see some unfamiliar person hanging around LJ, please don't take 'em out back and shoot 'em.
intertribal: (cicadian rhythm)
From the New York Times:

An almost all-volunteer cast and crew, including a star who was an ’80s teen heartthrob, and a plot about a firefighter who saves his marriage by turning to God — it hardly sounds like a recipe for box office success, let alone a best-selling book. But that’s what the film “Fireproof” has spawned.

The movie features Kirk Cameron, an alumnus of the television show “Growing Pains,” as the firefighter, and it cost just $500,000 to produce. Yet it opened two weekends ago with $6.5 million in ticket sales, good for No. 4 at the box office, just a few spots behind the No. 1 big-budget action thriller “Eagle Eye” and five spots ahead of Spike Lee’s World War II epic, “Miracle at St. Anna.” This past weekend “Fireproof” made $4.1 million more and so far has about $12.5 million total, according to estimates by Media by Numbers, a box office tracking company.

The movie is the benefit of a highly targeted marketing plan and the latest success for Sherwood Pictures, a tiny production company affiliated with Sherwood Baptist Church in Albany, Ga., about 100 miles southwest of Macon. It was directed by Alex Kendrick, 38, and written by Mr. Kendrick and his brother, Stephen, 35, with the church’s senior pastor, Michael Catt, serving as an executive producer.

In the film Mr. Cameron plays Caleb Holt, a type-A firefighter who rescues children from burning buildings but whose marriage is close to ruin. As he is about to go forward with a divorce, his father steps in and gives him a book called “The Love Dare,” a 40-day challenge that teaches married couples to use Scripture to learn to love unconditionally.

Marketing for the movie as well as heavy promotion at chains like Barnes & Noble and Borders have helped fuel sales of the book. It is also selling strongly at Wal-Mart and Sam’s Club, said John Thompson, senior vice president of marketing for B&H, who added that there were 600,000 copies in print. According to Nielsen BookScan the book has sold 6,000 copies, although that does not represent sales in places like Wal-Mart. “The Love Dare” will be No. 4 on The New York Times advice, how-to and miscellaneous paperback best-seller list on Oct. 12.

For Mr. Kendrick, there is only one explanation for the successes of “Fireproof” and “The Love Dare." "We’re not trained and smart enough to make successful movies and write best-selling books,” he said. “The only way that this could happen is if after we prayed, God really answered those prayers.”

intertribal: (meteorology)

Although I can't help but think she's actually quite stunning.  Minus the many tentacle legs of course.

Crazy Drunk Man About To Be Sacrificed:  We will all die, we will all die in Imboca!  It is the way of Dagon!
Normal Main Character About To Be Sacrificed: Listen, I will write you a check.  I'll write you a check right now for a million dollars if you let us go.  And the woman.  
Imboca's Dagon-Worshipping Hotel Manager About To Sacrifice Everyone: We will have ten times that amount in gold.  It means nothing.

Oh, Dagon.  Ur so crazy.  It's actually not that bad of a movie despite fucking up both Lovecraft's "Shadow Over Innsmouth" and "Dagon" - the rainy drainy atmosphere and the creepy fish people slogging around what remains of their bipedal bodies are, well, special.  What is it with evil hotel managers/caretakers?  We must really be afraid of going on vacation.  
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Uh?  Do not get the hate for Viva La Vida at all.  What a great album.  Also, "Lost!" and "Yes" and "Death and All His Friends" are the only Coldplay songs that I've been able to add to my Ilium playlist.  Ugh, I had no idea Coldplay could make such good instrumental shit. 

I have this theory about Coldplay's albums (it's a personal interpretation, okay) - and it has to do with the Zen theory of water drops and expanding circles of influence (at the center is the family; the outermost is the world, etc).  I mean this both in terms of the sound and the lyrics:

Parachutes is the individual album: as evidenced by "Trouble" and "We Never Change", the lyrics are about people caught up in their own heads, obsessing over their own fears and mistakes; there's a thread of loneliness and destitution in Parachutes - and of course you can only parachute yourself, and you parachute down into an unpopulated wilderness or enemy territory. 

A Rush of Blood to the Head is the small-group album: most of the songs are very relationship-oriented - "In My Place", "God Put A Smile Upon Your Face", "Green Eyes", "A Warning Sign", "A Rush of Blood to the Head", "Amsterdam" - and sound like a hopeful but bittersweet conversation with another person.  Probably because Chris Martin was all in love with Gwyneth Paltrow around now. 

* X & Y is the global album: the social consciousness thread begun in the previous album by "Clocks" gets picked up in a major way in "Square One", "White Shadows", and "Twisted Logic".  It's like the Human Instrumentality Project except more spiritual and positive and less literal and bad.  Even when the lyrics seem to address another person they sound less emotional and more therapeutic or guiding, like a religious guide-to-life.  Grand generalizations applicable the planet over abound. 

Viva La Vida is the universal album: I'm not sure how I can describe this, but it's like when Shinji rejects Instrumentality after all (I don't know why NGE is so involved in my metaphor).  We are definitely looking outward in this album, and this might be in part because of the slicker sound - but it just feels like another level (that cannot be understood?) has been transcended in songs like "Yes" and "Lost!" and "Death and All His Friends".  Interestingly, the individual has been revived, but if you're heading off into space, loneliness is inevitable.  Maybe it's the "only God knows" in "Yes" that makes me think this: instead of doling out advice for a ready world, it's laying down your arms and admitting your smallness before the universe.  

So really, I don't know where they can go next. 

Totally unrelated:  WTF wikipedia?  The xenomorphs do not have a hive mind!  Just because they have a Queen does not mean they all share a consciousness, dumbasses.  Also, why am I obsessed with xenomorphs?  They're a scary fictional alien species that bleeds acid, engages in "alien interspecies rape", and chestbursts out of unlucky hosts.  I mean, I would definitely kill myself if I met one.  I have a feeling, though, that my fascination lies in this: "the alien's combination of sexually evocative physical and behavioral characteristics creates [according to Ximena Gallardo], 'a nightmare vision of sex and death. It subdues and opens the male body to make it pregnant, and then explodes it in birth. In its adult form, the alien strikes its victims with a rigid phallic tongue that breaks through skin and bone. More than a phallus, however, the retractable tongue has its own set of snapping metallic teeth that connects it to the castrating vagina dentata.'"  Oh yeah.  Sigmund Freud, analyze this shit!  Also, if they really are "planet purgers", as some critics theorize them to be (used by the Space Jockeys and/or the Predators)... well, that's another point of interest, isn't it?  As Lindsey says, I'm so predictable.
intertribal: (mission control)

Suicide Club.  What can I say?  I think a plot description would just completely fail for this movie.  I mean, as can be gleamed from the title, there are a lot of suicides, often mass suicides, over the course of like a few days.  All I can say is that there's a lot of gore (some of it totally fake-looking, some of it pretty convincing and graphic), a J-pop group of little girls that everyone idolizes, creepy children, rolls of human skin and other skin-like things, small animals, red and white circles on disturbing web sites, sliding sports bags, hysterically absurd teenagers, telephones, a lot of trains, and a lot of crazy people as seen in the above picture.

It's like: Gozu + David Bowie + Happiness of the Katakuris + Silent Hill + Battle Royale + Akira + Picnic at Hanging Rock + Marebito + Pulse + Visitor Q + Being John Malkovich + Kontroll.  It's all shot with very grainy, pseudo cinema-verite camerawork, which makes the movie all the more real and eerie.  Some scenes, such as the ones involving the psychotic copycats Genesis (above), are truly some of the most disturbingly bizarre scenes I have ever seen - not because of anything that is happening per se (unlike in, say, Gozu) but because of the juxtaposition of images that just should not be.  A lot of disturbing things in movies are disturbing because they are grotesque, violate social taboos, appear painful, etc., but these scenes were disturbing because they were genuinely uncanny, and that's the best way I have to describe it.  On the one hand it's very blackly comedic, very absurdist, but on the other it's also - good old Japan - full of metaphysical, philosophical advice for a broken society.  I swear, no filmmakers seem to think so badly of their own culture as the Japanese. 
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1.  This is probably the most creative book I've ever read:

 

Yeah, I'm one of those crazy people who believes in, like, Azathoth and Shub-Niggurath.  Sort of.  It beats regular religion - you don't have to pray, the world's going to get eaten regardless.  Anybody ever read Stephen King's "I Am The Doorway"?  Could totally happen, and that's why we should not go to space.
 
2.  On IMDb, the Dark Knight is #3.  All-time. 

okay, come on, people. )

3.  I want to see this movie, Frozen River.  I love these kinds of movies, a lot more than I used to, and I think it started with things like Mystic River (which was okay) and Jindabyne (which could've been better but was goood).  I really regret not buying The Sweet Hereafter (I get chills just watching this video.  There is probably something wrong with me, but the last twenty seconds!  It's a flashback to the night before all the children in this town died in a bus accident).  Then of course there's the totally unappreciated Wendigo and the classic and should be even more classic Picnic at Hanging Rock.  Anyone who has not seen Picnic needs to.  I watched it with my mother - she had seen it in college - and certain parts of it are like being on drugs.  Really scary drugs.  As in, I could not watch certain parts - and there's no crawling ghosts either, it's just a fuckin' rock.  That's how amazing this movie is.  What's really funny is that none of these movies, if you use IMDb recommendations, are linked to each other (except for Jindabyne to Mystic River, and I think that's only because both of them involve rivers).  I think it's because IMDb is dumb and doesn't get it.  For instance, if you liked Mystic River, you are recommended by IMDb to see Sin City.  If you liked Jindabyne then you should watch The Da Vinci Code.  The Sweet Hereafter?  The Godfather.  Picnic at Hanging Rock?  Harry Potter and the Goblet of Fire (WTF).  Wendigo?  Escape From New York.  Well, I guess the main characters are from New York City, and go to upstate New York...

4.  The Big Read reckons that the average adult has only read 6 of the top 100 books they've printed.
1) Look at the list and bold those you have read.
2) Italicize those you intend to read.
3) Underline the books you LOVE.
4) Strike-through the books you HATE (I added this one myself).
5) Reprint this list in your own LJ so we can try and track down these people who've read 6 and force books upon them (I crossed this out, because I don't force books on people, don't even force them on myself)

wtf is the big read anyway )
intertribal: (into the wild)

 
I never wrote a review for Encounters at the End of the World.  There isn't really a whole lot to say except that it's a beautiful movie.  I have always wanted to see Werner Herzog's work but this was my first.  It came to the independent theater in Lincoln the weekend I left, so my mother and I saw the matinee show the day before my flight.  I had wanted to see it for months - it came out in New York a long time ago, and I don't think I was in the city at the time - so it was real serendipity that it took so long to get to Lincoln.  I think Discovery Channel is going to start playing it on television, but the effect would be almost totally lost.  It needs a big screen, for the skillful, engulfing cinematography.  Engulfing is a good word for it.  The movie swallows you, takes you back into the Earth.

Encounters is a documentary about people (mostly scientists, with the odd philosopher-cum-construction-worker and banker-cum-snow-truck-driver, and a computer specialist who drove across Africa in reverse and traversed South America in a sewer pipe) who live and work in Antarctica, often on surprisingly large and slow-moving glaciers.  They're a strange and endearing lot, intellectually curious loners who, as one linguist who now does Antarctic computer work after giving up trying to save a dying language put it, fall down to the bottom of the Earth and find happiness, or at least peace, in their work.  Some of them are still mostly human: deep-sea divers who mine for new microscopic species and celebrate by holding their own outdoor rock concerts.  The ones who deal with larger animals are further away from human civilization - biologists lie flat on their bellies on the glacial ice, listening to the seals who make totally alien and unfamiliar sounds underneath in the water, and walk out in the dark in silence, hearing only their own heartbeats and the sound of ice cracking around them, and of course the occasional loud thump from a subsurface seal; an animal behaviorist who doesn't talk to humans much anymore and lives alone watching his penguins. 

The penguin part was one of two parts that I found very emotionally affecting.  Herzog asks the penguin-man, trying to keep the conversation going, if penguins ever display sexually deviant behavior, tying it to homosexuality.  The penguin-man says not really, although he has seen triangles with two males and one female.  Then Herzog asks if any penguins go insane, if they ever decide they just cannot live in this flock anymore.  The penguin-man says, well, he's never seen a penguin bash its head into a rock, but penguins do get disoriented.  And then we watch a group of penguins in the middle of the ice - some head out to sea for food, and some go back to the other penguins, but there's one penguin that just stays put for a bit, as if confused - or thinking - and then starts heading straight for the inland, toward a mountain.  Very vigorously.  The rules are to not interfere with the penguins, to just let them be (and you see this penguin go waddling past the deep-sea divers, who watch it with amusement), and the penguin-man says that even if you chased after this penguin and brought it back to the flock, it would immediately start heading straight back for the mountain.  It's very sad, because you know the penguin is essentially committing suicide (presumably without knowing it), and it's also very striking because of the similarity between this penguin and all the scientists and workers on Antarctica, these people that fell to the bottom of the Earth and are choosing to live in extremely harsh conditions. 

My favorite part, however, concerned an atmospheric scientist who was sending some kind of special balloon into space to detect neutrinos.  He was clearly very excited about the launch of this wispy little thing, and started talking about neutrinos like he was being interviewed for a regular National Geographic science program, all technical terms and such, and then suddenly it's like he breaks down that facade and starts likening the neutrino to a spiritual presence, to God - the kind of thing scientists aren't supposed to say, but clearly the reason he's devoted his life to the neutrino.  It's a perfect wrap-up of the movie, that combination of science and philosophy and dreams and honesty.  These people would certainly all subscribe to the Boom De Ah Dah view of the world (I totally fell in love with this commercial in Surabaya, when I was watching Air Crash Investigation - not a contradiction, in my mind - and it still brings tears to my eyes.  Or as one YouTube user says, "it gets me stoked on life every time".  Yeah, I'm a sucker).  And it's these strange, disoriented, near-crazy people who really love the world, I mean the planet, who are stoked on life, and it makes you wonder if maybe they are because they live so far out of human civilization's bounds.  The vulcanologists tried a few years ago to descend into an active volcano.  They stopped when one of their team members was blasted with magma.  He wasn't seriously injured and was laughing about it while lying on the ice having been pulled out of the crater. 

So yeah.  Stunning documentary about life on Earth. 
intertribal: (i like my neighborhood)
One of my great accomplishments of the day was booking my Christmas flight home.  Turns out Thanksgiving isn't an option (I don't want to go home two weeks before winter break so badly that I'll spend $600+ on a ticket), but at least there will be a television available. 

I decided to start a Cormac McCarthy collection.  So far, I have four: Outer Dark, Blood Meridian or the Evening Redness in the West, The Crossing, and The Road.  I'm reading the one I haven't, Blood Meridian.  I'm pretty sure that I should have been, like, born in the 1800s to farmers or ranchers in Texas and I just can't take this modern world.  I want to be Billy Parham. 

I've decided that the following quote from Sin City is an apt description of me:

"Most people think Marv is crazy.  He just had the rotten luck of being born in the wrong century.  He'd be right at home on some ancient battlefield swinging an axe into somebody's face." 

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Tory repents for dancing for the flesh instead of for Jesus.


Rachael holds up a model of a fetus, because life is life no matter how small.
 
I'm assuming everyone knows what the documentary Jesus Camp is about: the Kids on Fire Christian camp at Devil's Lake, North Dakota, run by a children's pastor, Becky Fischer.  It's for Evangelicals, many of whom homeschool their children and pledge allegiance to the Bible and the Christian flag - no joke, and they say they love America.  They believe things like: 
  • America has a Judeo-Christian foundation, and is God's nation.
  • Harry Potter is a warlock and thus an enemy of God, and a Christian government would put him to death.
  • Global warming is not a big deal because the temperature is only rising 0.6%.
  • Creationism is the only answer to all the questions. 
  • 50 million of their friends could not be with them, because they were aborted.
  • Prayer was taken out of school, and then schools started falling apart. 
  • Most other Christians in the U.S. go to "dead churches", where God doesn't like to go.
  • Children should be ready to die for Jesus the way Palestinian children are for Islam. 
  • Democracy is the best system of government on Earth, but it is only for Earth, and in the end it will destroy us because it gives everyone freedom. 
  • This is a sick old world, and they can't wait to get out of here and go to heaven.
At the camp the kids are told, among other things, that there are hypocrites and phoneys among them who say they believe, but they sin just like all the other kids at school.  They are then told to come up to the microphone, confess their sins, and repent violently - with tears and seizures and in tongues.  They pray over a cardboard cut-out of Bush and chant "righteous judges", hoping to psychically influence the people who decide whether or not to overturn Roe v. Wade.  They also take a field trip to Washington D.C. where they pray, rocking back and forth, with red tape that says LIFE across their mouths, and approach random people in bowling alleys and public parks - a blonde woman is told, "Jesus told me that you are on his mind and he just hopes that you will follow him" whereas a black guy is asked, "If you were to die this moment, where do you think you would go?"  He says, "Heaven," and the little girl, Rachael, says, "Really?"  He says "Yeah" and she says, "Okay", then says to her friends, "I think they were Muslim." 

Etc.  It's a very well made documentary - extremely subtle.  The only dissenting voice belongs to Mark Papantonio, host of "Air America", who is filmed doing his talk show.  He eventually interviews Becky Fischer.  Otherwise it's the sort of documentary - quite the opposite of the Michael Moore types and the Errol Morris types - that just shows you what it's criticizing and relies on you to analyze it for yourself.  There's no ex-Evangelicals talking about how crazy things were back in the fold or experts talking about how this is not real Christianity, no comparisons to the Crusades.  It's just the participants and the cinematography, which juxtaposes concepts and reality to create irony - a little boy drinks from a Pepsi while Becky Fischer tells them about how innocent sin first appears; Becky Fischer tells the camera as she's driving home that she loves America and the American lifestyle and then the camera shows the view from the Missouri highway - street lights, a huge neon KFC, the back of a semi truck.  The near-silent shots of suburban wasteland Missouri - very similar to suburban wasteland Nebraska, completely dominated by huge warehouses, chain restaurants, long straight strips of highway - are gorgeous and sad, just like the children weeping on the floor by the pews, pre-blessed, because they need more Jesus in their lives.  You can't help but wonder what they're really crying about.  The adults, who knows.  The adults need help. 

Apparently the movie is so subtle that many Evangelicals who watch it convince themselves that its goal is to promote them and their children who are so passionate in the bloody Christ - which says something about how blind they are - and quite a few non-Evangelicals who refuse to watch it for the same reason.  Then there's the Christians who hate the movie because they feel it gives them a bad name.  They're right, it does. 

And to be honest there's not much difference between the Evangelicals (or Evangelions, as one commenter called them) and all the masses of wealthy, well-placed people in my town who go to this megachurch called the Berean.  They may not speak in tongues but there is a certain insanity even in their silent, atrophied "death" - on that, I agree with poor brainwashed little Rachael.  It's scary, yes, but it should be no shock to anyone who lives in the Bible Belt. 
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Just so everybody knows, I'm not dead.  I'm just very far away (exactly half the world away from Lincoln), and I'm afraid to blog about most of what my days are like now.  I leave Surabaya in 2 weeks (after which I'll be in Jakarta for three days or so), so I'm starting to re-enter livejournal world, although I don't think I will be as much of a devotee of it as I used to be.  I've started writing in a diary.  I've had to.  It's been good.  The journal will probably just become home to my popculture reviews/rants.

However, I come with some movie recommendations: 
- The Dark Knight (!)
- Perfume
- Zodiac
- The Hills Have Eyes (I admit I saw the edited version - it was on tv)

Midsomer Murders' episode recommendations: 
- The Green Man <-- I cried!
- Ghosts of Christmas Past

And a television show recommendation:
- Air Crash Investigation <-- my obsession
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