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Operation Tumbler-Snapper, 1 ms after detonation

Harold Eugene Edgerton, a graduate of the University of Nebraska-Lincoln and native of a 4,000-people town named Aurora, created the rapatronic camera for the government to take pictures of nuclear explosions while testing them was still legal.  He also pioneered strobe photography.  The rapatronic has an exposure time of ten nanoseconds.

These are fission bombs.  They destroy cities and inhabitants by the shockwave and the heat initially, burning everything in sight, unless the unfortunates are close enough for instantaneous death by radiation.  Otherwise radiation fall-out kills the homeless survivors.  A neutron bomb, by contrast, was originally designed to leave infrastructure in tact by carrying much smaller yields.  Neutrons, here, are the primary means of killing, and neutrons destroy living cells but not dead concrete.  They seep through tanks.  They empty a city but leave the buildings up.  "One significant drawback" of the neutron bomb is that it may not kill all it targets.  Some will recover after a spat of nausea and enter the walking ghost phase, which means they will seem fine for hours, days, weeks, before dropping into a coma, delirium, and certain painful death. 

My professor describes the '50s news reels informing the public of the bombs they were working on before the feature presentation at the cinema as thus: "look what an awesome weapon we have!... but don't worry, we're protecting you from it."

"While it is an irrefutable fact that nerds are closet militarists who worship violence as a means to wreak havoc on a world that has left them in the dust of their own failure... they are also the world’s most loyal fetishists of the male form. Nerds may “choose” to dress poorly and shun exercise on principle, but deep in the recesses of their conniving minds, they lust for the physical perfection of masculinity with near fanatical devotion." - ruthlessreviews

poison fog magic smoke eruptor )
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My mother says I do a great impression of boiling rice.

I'm really obsessed with this video right now:


Massive Attack: Karmacoma. 

I love it mainly for The Shining influences (I wish that The Shining was this hilarious, maybe I could actually watch it... but I can only watch it after "the bathtub scene", which is the single most frightening things I have ever read, and a perfectly good reason to put a book in a freezer - as a result of Room 217, I still have trouble with bathrooms).  The Shining, incidentally, was named for the John Lennon song "Instant Karma!" - "we all shine on..."

Another incidental from the 1980 film: this was the last (or only) movie for the actresses that played the ghost-corpse in the bathtub as well as the ones who played the two murdered little girls in the hallway.

Joel-Peter Witkin's "Cupid and Centaur", "First Casting of Milo", and "Costumed Inmate".  His art, influential in Nine Inch Nails' "Closer" video, is influenced by the childhood memory of seeing a little girl decapitated in a car accident outside his church:
may disturb those afraid of skeletons. )
 
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Above quote by Winston Churchill.

I came to the sudden realization that this amazing Muse song, "Hate This and I'll Love You", totally applies to Ilium - the relationships, in particular, between humans and the reformed daimones, the animae slaves.  Clearly this song is told from the point of view of the latter.  Yet I can also see it applying it to different interpersonal relationships.  Ah, the joys I get of power dynamics... I cannot even begin to describe.  I have definitely silent-screamed the chorus of this song in the elevator going up to the poli sci department.  It's so empassioned. 

Oh I am growing tired
of allowing you to steal
everything I have
you're making me feel

like I was born to service you
but I am growing by the hour


You left us far behind
so we all discard our souls
and blaze through your skies
so unafraid to die

cuz I was born to destroy you
and I am growing by the hour

I'm getting strong in every way

you lead me on, you lead me on...


That over there, by the way, is the painting.  The one that has made my adolescence, that has made my obsession with colonialism, power dynamics, violence.  "Sensations of an Infant Heart" by Walton Ford.  This painting struck the Harper's staff so much that whoever responded to my frenetic email asking if they knew the title and maker of a work that featured a chained monkey choking a parrot immediately knew what I was talking about.  I cannot overstate how much this painting has affected me and how much I love it from the bottom of my soul. 

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