intertribal: (only thing i'm missing is a black guitar)
She's making SVU even more painful than normal. 

It's a shame she's so utterly unconvincing, because the episode is actually sort of interesting for once.
intertribal: (what an s.o.b.)
SVU's new episode is about a measles outbreak.

Yes. 

Great Fucking Timing, SVU. 

And believe me, they are not doing it in a calm and rational way either.  Remember?  It's SVU.

intertribal: (smoking mennonite)
Just for the record, "Smut" is the most disastrous episode of SVU I have ever seen.

Ever.  Yes, this is worse than both "Paternity" and "Pretend". 

It starts off with a woman wandering naked (except she looks like an underwear model, and is wearing Victoria's Secret) through a park.  It goes to a string of women who don't remember being drug-raped by some guy who looks like a skeezy beach boy perp (the kind you find on CSI) - they are identified solely and repeatedly by the porn-tastic screen shots of their rape.  And by porn-tastic, I mean... really porn-tastic.  It has now devolved into a discussion on whether or not porn causes men to rape.  Just now we have them showing the video in court to give the perpetrator an erection, discovering that the judge watches dolphins humping people, and finally the trio of well-coiffed rape victims triumphantly popping up like Charlie's Angels (one blonde, one brunette, one Asian) in a doorway to remind the rapist that they'll testify against him, smirking when he says he's the best they ever had.  We have special gems like the following:

Detective 1: That's enough to make Jenna Jameson gag.
Detective 2: And that ain't easy.

As well as a childish and ridiculously awkward discussion between the detectives about whether or not they watch porn, cue giggles and snickers, detectives calling each other prudes...  Yes, this is all one episode.  I don't even know what the hell SVU is trying to achieve anymore.  Did I mention the dolphin porn?  Like Malcolm Moran said about the 2007 Huskers, "The struggle became so bad that you couldn’t look away." 

Contrast this with the Criminal Intent episode I watched after "Smut", the classic "Posthumous Collection", which explores similar themes, and it should really be obvious why Criminal Intent is my Law & Order of choice.  "Posthumous Collection" is truly an astounding episode.  I can't recommend it enough.  It could be made into a movie directed by David Fincher - no exaggeration.  And that's because it's about characters who could be real human people, characters who make decisions (even wrong ones) instead of pathetic caricatures.  That and an actual story.  That and actual actors.
intertribal: (dem bones.)
Review of SVU Season 9 Finale, "Cold".

The last SVU episode I wrote about was "Paternity", the beyond atrocious mid-season episode, which has a 6.1 out of 10 reviewer rating on tv.com ("fair").  So now we have "Cold".  It  has a lower rating - 5.4 out of 10 ("mediocre"), which shows just how little I comprehend Law & Order: SVU fans. 

The story is cliched enough.  This is SVU.  One of the detectives, Lake (some guy that was only here for one season as Fin's partner), shoots another cop, apparently unprovoked.  Because this is Dick Wolf, Lake was not doing this to satisfy a hidden evil, but to protect himself from being ambushed by a pair of evil rapist cops who got away with raping illegal immigrant children years ago, a case Lake failed to close.  Lake shoots the other one by the episode's close, so it's pretty clear this is his final episode - yes, it's the no fail Detective Green Cop Cleanser. 

More importantly, in the attempt to nail the surviving evil rapist cop on rape charges, ADA Casey Novak breaks some rule, and because it happened in twenty seconds, I missed it, so I can't say whether she deserved to be fired for it or not.  At any rate she is forced to resign.  So yes, Casey is now gone.  This is what has everyone in an uproar. 

What really surprised me, though, was Fin asking for a transfer out of the squad at the end.  His contract has not been confirmed ended, so maybe he's just going to be in Baltimore or wherever for a season, but what's really gold is why he asked for the transfer.  As Lake's partner he gave Lake the benefit of the doubt; Stabler, however, was extremely quick to assume that Lake was a traitor to all cops and probably in league with Satan.  When Lake escapes, Stabler accuses Fin of tipping off Lake, and essentially also being a traitor to all cops and probably in league with Satan.  This justifies spying on Fin's phone records.  Olivia tells Stabler to apologize to Fin.  After some macho posturing, Stabler mutters some half-baked not-really-an-apology garble, and Fin says - here it comes - that it doesn't matter because Stabler will always be the same rat-bastard, and he's asking for a transfer.

I wanted to die of happiness.  For the moment I was not upset that my two favorite characters on SVU are leaving (don't care about Lake).  For the moment I just wanted to jump into the television and shake Fin's hand.  Watching the SVU fans whine about this development made me all the more giddy.  Of course people are upset that Casey's leaving, for good reason - they also think that Fin's comment to Stabler was completely out of left field, but I disagree.  I think Fin's tired of taking crap, like me.  He's never shown any blatant dislike for Stabler but they've never been shown to get along either, and after all, Fin is played by this guy, who you know, would really hate G.I. Joe/He-Man Stabler in real life.  I do think it was odd that the squad was shown to be supporting each other so little, because usually SVU is depicted as the Little Miss Perfect of the franchise, with the unshakable camaraderie in the face of adversity, etc., but I suppose I'm not really surprised.  After all, the squad is run with a toxic power structure - the Captain is flimsy and fickle, exerts no real authority, and favors Olivia and Stabler, who bully everyone else despite being less talented and less stable than Fin and Munch, who are treated, I suppose because one is old and Jewish and the other "looks like a pimp", like red-headed stepchildren.  Huang, the gay Asian, is ignored or derided by Olivia and Stabler if he says something they don't agree with, and Casey is overworked by the squad and forced to come up with legal magic in order to make up for the Wunderkin's sloppy detective work - when she sometimes fails, because the justice system still works, thank God, the Wunderkin yell at her to do her job, although they can't do theirs.  That does not a good working environment make, so I'm not surprised Fin had some things to say to Stabler before he leaves.

Quite frankly, the fans - Olivia and Stabler fans, all - don't deserve Casey, Fin, or Lake, and maybe they and Dick Wolf will learn two things from this incident: a) their show needs its neglected supporting cast to stand on its feet, so let's give the other characters some love and make the next season entirely about Munch, who remains the most interesting character; and b) it is beyond dumb that their cast has evolved so little since its inception.  It's L&O, not E&O (Elliot & Olivia).  I maintain that those two are shallow, so stereotypical you could make American Girl dolls out of them, hysterical (in the sense of the psychological disorder, not comedic value), predictable because they have not changed at all for nine seasons, unrealistically sentimental because they have all that supposed psychosexual tension (CI fans who object to hinting about Goren & Eames clearly have not seen any SVU) and yet are still partners, and are practically never called out on when they bully and beat up suspects, decide who did it in the first five minutes only to be proven completely wrong just in time for various innocent people to have their lives ruined or ended, interfere in other people's personal lives, break laws, and generally act like the kind of cops people would commit civil disobedience to get off the force.   I should start making a list of all the things these two have done that no cop in any precinct should have any right to do, but hardly ever get punished for, because apparently these two get to enjoy the Blue Code of Silence

Fin's right.  Stabler is a rat-bastard.  What's more, Olivia is an idiot crybaby. 

So am I upset that Casey and Fin are gone, Munch has been reduced to one line per episode, and Huang is nowhere to be seen?  I miss them, yes.  But I'm also excited for SVU to crash and burn next season.  My personal recommendation is to can Criminal Intent's current attorney, who has made no impression on me, as well as I'm-a-waste-of-carbon Falacci, and replace them with Casey and Fin.  Come on, Dick Wolf - if your whole game on CI is contrasting street smarts with book smarts (?), pair Logan with Fin.  I would pay $ to see it, and Criminal Intent's weakest links would be gone.  Casey would appreciate the ease with which a Criminal Intent attorney can bark at the detectives that they need to get more evidence, and the efficiency and legality with which the detectives get said evidence; Fin would no doubt enjoy the harsh but egalitarian fist with which Captain Ross disciplines the detectives.  That way, if Goren and Eames need to leave the show for whatever reason (like to get married), Criminal Intent won't die.

It's a winning solution. 
intertribal: (Default)
I watched the two newest episodes for Law & Order: SVU and Law & Order: Criminal Intent tonight.  I was amazed by how much better the Criminal Intent episode was. 

SVU has become histrionic.  Really - see the definition for Histrionic Personality Disorder.  Not only did it rehash a previous SVU episode (which was, in its day, and in comparison, quite good) about a 28-year-old woman masquerading as a 16-year-old girl, jumping from foster home to foster home in a desperate attempt to stay 16 and loved, but it rehashed it in a way that made me laugh out loud several times.  The girl was constantly in pigtails, was run into by a car, had her jaw wired shut at one point and just moaned in anger at the detectives when they accused her of being 28, and eventually defended herself in court on statuatory rape charges brought by her former boyfriends, in crutches and pigtails.  Of course, the whole episode was histrionic - starting with the woman who's been convinced that a sex offender was behind her son's death for the past 10 years, then misidentifies the dead body as her son when she hasn't seen him in 10 years, leading the detectives to nearly arrest the sex offender - on that evidence alone.  See what I mean?  If they had stuck with the "extreme fighting" thing and allowed the teenage boy who killed his best friend during an attempt at "extreme fighting" to just say what he originally said: that he failed at everything that was rewarded at high school, and so he found extreme fighting, and in that he could be God - now, that would have made for a good point, and a point that I believe parents of high schoolers need to hear.  The disenfranchisement and alienation of many teenagers nowadays, leading them to turn to outlets otherwise not acceptable in adult society, is very powerful.  Instead, SVU managed to turn it into a scintillating soap opera about a grown woman who still looks 16 and sleeps with lots of little boys, like Mary Kay Letorneau or something.  I was so disappointed. 

Criminal Intent, however, has become personal and yet remains extremely cerebral.  I actually only came in during the latter half of the episode, but the most important part was in the second half anyway.  Basically, there was a serial killer - in his 60s.  They found a bunch of photographs that he'd taken of women who he'd later raped and killed, spanning the decades, and were trying to identify the women from the pictures.  In the end, naturally, they had to get the serial killer himself to identify them, though in exchange he wanted a delay in his execution.  They find a new batch of photos at his summer house and as he's going through them, describing them, he talks about one of them as being from the same neighborhood as, and having the same family members as, Goren's mother.  Goren's mother is still alive.  He questions her about it, and then his older hobo brother.  Both are a little schizophrenic and his mother is dying of cancer - there's indication that his brother has only shown up at her side at this late hour because he wants to make sure that he's in the will.  He finds out that the serial killer was known to the family as Uncle Mark, the handyman, who would spend weekends with his mother while the father was away - and they had some kind of a "car crash" together that changed his mother (he raped her?).  All this leads the captain to take Goren off the case, but Eames asks that he be put back on, promising to look out for him if he starts losing control, which he does, of course.  He talks to the serial killer again and after realizing that his suspicions are correct, he tries to choke him in the brick prison tomb.  The killer says, "Kill me, I know you can do it", but Goren stops.  He then visits his mother in the hospital again, asking, "When did you see him?  What about the year before I was born?"  Becoming hysterical, his mother says, "Why do you have to bring this up?" and then, "I never knew, Bobby..."  She was never sure who his father was - the absent husband, or the serial killer.  She then dies.  The serial killer is executed.  Goren is clearly devastated, and for good reason - I can't imagine there are much things worse than having to disengage from one of your pillars - your parents - because they have turned out to be so bad. 

I am, a) very glad that Criminal Intent has been renewed for a seventh season, because I think it does have a strong core audience of fans, and b) somewhat disappointed that SVU is so much more popular.  I think SVU used to be much better - but popularity has gone to its head, as popularity has a way of doing, and has turned it into a show that is not worthy of the mighty Law & Order franchise, because it has lost its intellectual complexity.  Criminal Intent has always been the most cerebral, explaining why it's the least popular (sigh), but it's also the most rational and level-headed, which makes the personal character developments all the more meaningful. 



Yes, I know it's very shippy, but I think it's also fairly restrained and in-character... especially if you've read some of the Goren/Eames out-of-character fanfictions out there. 

Oh yeah, I've decided that "What New York Couples Fight About" would be a great song for a Criminal Intent AMV.  Somebody should go make it. 

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