intertribal: (just relax)
I am rapidly turning against relativism. I'm still a constructivist, of course, but I'm starting to see a suspicious trend in relativists: basically, blaming the problems (which they insist, condescendingly, are not real "problems" but just "quirks") of developing countries on those countries' cultures, and not, say, on anything anyone else (like their own countries) might have done. Hey, you know who's a relativist? Katzenstein. You know who else is? Samuel Huntington. I tell you, there's Old School Relativism, defined by Huntington, that says, "other countries are poor and decrepit because their cultures are broken, because I say so". Then there's New School Relativism, defined by Katzenstein and now Pye, that says, "other countries are poor and decrepit because their cultures are just 'different', and we should love them despite these differences, the way we love special ed children".  Either way it's a brand of racism.

I mean, you gotta love this guy. First he has the obligatory politically correct statement that he clearly doesn't believe in:
Instinctively we pause before accepting such a conclusion because several generations of Americans, taught by the texts of Margaret Mead and Ruth Benedict, know that it is wrong to be ethnocentric. 28
Right, boys and girls, remember, it's wrong *wink wink* to be ethnocentric *wink wink*.  Then he tells us that Suharto had "bold and imaginative" policies (332) - such thinking will get you disowned in my family.  Here's the clincher, though, his cleansing of his Western guilt and declaration that Asian nationalism (or just all Asians?) are racist:

In the immediate postwar years it was assumed that Asian nationalism was largely a reaction to colonialism and the Western impact, which to a degree it was. Since then it has become clear that the intensity of xenophobia is more closely correlated with the strength of paternalistic styles of authority. The more the culture conceives of authority as being a nurturing force for a ‘family’ collectivity, the sharper the sense of boundary between its members and foreigners. Distrust of the foreigner has resulted not so much from bad experiences with outsiders as from a deeply felt need to repay paternalistic authority and maintain the cohesion of the collectivity. 329

LOVE IT. 
intertribal: (Default)
Okay, so you know how I've always joked about people thinking of DBZ as racist because of the whole, um, SSJ-Aryan thing?  Everybody thinks, "Oh, that crazy girl, reading too much into that stupid kid's cartoon again."  Everyone laughs that Namek is a planet of black people, not thinking anyone will actually think that.

TAKE THIS!

So, everybody feel like a bad enough person for watching it?  Okay, great.  Granted, there are serious misunderstandings in the article - for example, not knowing that Kami isn't Kame, and that it means God in Japanese and (my favorite), that Mr. Popo is not actually meant to be black, although he looks like he's drawn in blackface.  He's supposed to be Indian.  Trust me on this.  And I really don't think the show is as misogynistic as I thought.  I mean, it's no X-Files, sure, but it's also not as bad as... you know, 90% of anime.  But sometimes I think even Law & Order can be seen as misogynistic too... "the ADA Babes", as they're referred to?  Sigh, misogynistic, such a strong word.  I prefer sexist myself.  Sexism.  It has a nice easy slip of the tongue to it.  Mm, sexism.  Nothing like some good sexism in the morning.  Please understand that it's 3:00 a.m. as I write this.

They proceed to discuss all these other horrid racial stereotypes in DB/Z and I'm just like... uh... heh heh.  This is why it was only meant to be seen by Japanese people?  Then they become thankful that anime is now becoming more open-minded - the new, awful generation of anime, you know.  Personally, this is why people who have singular issues annoy me.  They would find similar artistic/animation issues in Akira, to be honest, in some of the evil people of the rival gang the Clowns.  Yes, I know that it doesn't help and that it perpetuates racial stereotypes, but you know, I don't think it's malicious.  The '80s animators didn't know the full history of these issues in the states, and let's face it, Japan is a homogeneous country.  I've read that anime girls have ridiculously big eyes because the artists were inspired by American cartoons like Betty Boop.  Which means, really, we have ourselves to blame.  I'd be more concerned about the way Japan depicts China.  That has history - that could be politically malicious.  But not the way Japan depicts black or white America.

Oh yeah, and they also seem to not have caught onto what the fandom has decided - that Nameks are black, and thus one of the show's most awesome characters, Piccolo, is black. 

Still, my favorite part is the comment from "Pierce": "Po-Po. What is he, po? broke? Mr. Broke-broke?"

Rofl. 

Profile

intertribal: (Default)
intertribal

December 2017

S M T W T F S
     12
34567 89
10111213141516
17181920212223
24252627282930
31      

Syndicate

RSS Atom

Style Credit

Expand Cut Tags

No cut tags
Page generated Jun. 13th, 2025 08:41 am
Powered by Dreamwidth Studios