intertribal: (bottoms up)
[personal profile] intertribal
Chuck Klosterman has this interpretation for why we're living in a zombie moment (I remarked upon this a couple nights ago, when I noticed two different zombie video games being advertised on TV):
In other words, zombie killing is philosophically similar to reading and deleting 400 work e-mails on a Monday morning or filling out paperwork that only generates more paperwork, or following Twitter gossip out of obligation, or performing tedious tasks in which the only true risk is being consumed by the avalanche. The principal downside to any zombie attack is that the zombies will never stop coming; the principal downside to life is that you will be never be finished with whatever it is you do.
I'm pretty sure zombie fiction is popular because it's an adrenaline rush to live vicariously through people who are slamming axes through other people-not-people's heads.  That had to be part of what it was for me.

Five years after 28 Days Later blew my mind, I think I'm exhausted of the genre.  I just don't think much can be done with it, after all.

Date: 2010-12-08 07:52 pm (UTC)
From: [identity profile] fengi.livejournal.com
I noticed that article and it struck me Klosterman came right up to the edge of something a lot more unsettling when he summed up the appeal as, "Zombies are just so easy to kill."

Had he taken it in the direction I expected, it would be that the zombie fantasy, as you hint, is involves being one the chosen/lucky "living" who are free to kill everyone else because they are stripped of their human status. Which, to me, seems to be the ugly side of American individualism - you and yours are special, most everyone else is merely ballast/backdrop/potential threat - as ever more accentuated by American capitalism which can treat large numbers of people as merely disposable numbers on a balance sheet. The fear of being a zombie is the fear of being disposable, being viewed as being an unproductive mass of bodily functions which can be killed because you're already worthless and just haven't stopped moving.

Klosterman doesn't do that, instead going for comforting tripe about emails. Which is why he's printed in the New York Times.

Date: 2010-12-08 07:58 pm (UTC)
From: [identity profile] intertribal.livejournal.com
Oh yes, I had that moment too when I read that sentence. I was like "YES!" And then "Huh? Oh, it's about Twitter."

Your second paragraph is exactly what I feel about the current zombie craze (I first started thinking about this while watching Zombieland). I think it's gone into hyper mode since 28 Days Later, which was much less kill-all-zombies (more like kill-all-soldiers in that movie) and much less... hyper and happy about it.

Date: 2010-12-08 07:53 pm (UTC)
From: [identity profile] timesygn.livejournal.com

A fun link to an entertaining article, thanks. I would add that the present zombie craze arises only from the necessity to provide a liberal counterpart to the predominantly conservative vampire. As Chuck notes, zombies are communal. Vampires, by contrast, are arch-individualists. Zombies live in hoardes. Vampires live alone or in small groups riven by intense internecine quarreling. Vampires are Republican. Zombies are Democrats. One cannot exist without the other. You see? 'course ya do ...

Date: 2010-12-08 08:01 pm (UTC)
From: [identity profile] intertribal.livejournal.com
Hmm - except zombie movies do prize individualism (as an alternative to the communal zombie, as a survival instinct). Vampires are definitely conservative aristocrats, though, and sometimes working together defeats them!

Date: 2010-12-08 08:33 pm (UTC)
From: [identity profile] cucumberseed.livejournal.com
That was my take as well, that the classic zombie horde is what a reactionary sees as enemy and the vampire is what the progressive sees. Though that last bit is incredibly problematic in the fact that the earlier vampires were coded with unfortunate implications and they have sort of been steadily whitewashed over the last 30 years or so until they became the Olympian aristocrats of a decidedly Anglo-Saxon vintage (with the odd RPG inspired power fantasy sociopathic badass) that dominate the current portrayals. Vampires are twisty.

Date: 2010-12-08 09:28 pm (UTC)
From: [identity profile] intertribal.livejournal.com
Yeah, hard to argue that Dracula's overall moral scheme wasn't very conservative. Kind of funny now that I think about it that Twilight's good vampires have a lot in common morally with Mina and Jonathan.

There really isn't that much in the way of genuinely/overtly left-leaning horror, I feel. You might argue something like Pontypool... but really, can you think of anything?

Date: 2010-12-08 08:26 pm (UTC)
From: [identity profile] wendigomountain.livejournal.com
Zombies, like Sarah Palin, are currently overexposed. Which might explain why a lot of folks are more like "meh" when it comes to the Walking Dead series than they probably would have been a year or two ago.

Also, like Sarah Palin, they just keep coming. Rule #3: Double tap.

Date: 2010-12-08 08:29 pm (UTC)
From: [identity profile] intertribal.livejournal.com
They are overexposed (particularly for people who already knew about 'em) but on the other hand, The Walking Dead had huge numbers for its finale. People are eating zombies up (haha). The question's why.

Date: 2010-12-08 09:15 pm (UTC)
From: [identity profile] royinpink.livejournal.com
like the title

Date: 2010-12-08 09:20 pm (UTC)
From: [identity profile] intertribal.livejournal.com
It's from a Zombina and The Skeletones song (http://www.youtube.com/watch?v=1a4q_KMzqnU).

Date: 2010-12-10 02:04 am (UTC)
From: [identity profile] royinpink.livejournal.com
talk of zombies and songs reminds me of "I Am a Revenant":

We are the revenants
And we will rise up from the dead
We become the living
We've come back to reclaim our stolen breath

Different take on your theme...

Date: 2010-12-10 04:15 am (UTC)
From: [identity profile] intertribal.livejournal.com
That sounds more like the internet ghosts in Kairo. Some people have written "the zombie's side of the story" - those takes just aren't as common by far. Kind of reminds me of an io9 article that suggested zombies were supposed to represent history and how history won't be denied/forgotten, and the comments were just like, "yeah, that's a nice idea, but I don't think so."

Date: 2010-12-10 02:12 am (UTC)
From: [identity profile] royinpink.livejournal.com
hard time viewing the video, so far kinda 'meh' on the song

But...I need new music. You should give me music. Not that you have to or anything, but...if you have a moment.

Date: 2010-12-10 04:29 am (UTC)
From: [identity profile] intertribal.livejournal.com
You don't like any of my music though? Or if you do, I don't know what you like. What are you feeling like listening to? Do you want the new Arcade Fire album (I really like some of the songs on it)? Random stuff I've been listening to? Individual songs or entire albums?

Date: 2010-12-10 05:19 am (UTC)
From: [identity profile] royinpink.livejournal.com
What? Of course I like some of your music. We share so much music. I am feeling like listening to...something energetic? or angry? or, you know, beautiful music is always good. I probably like folk more than you do, though. Sure, new Arcade Fire album would be cool. Random stuff is especially cool. I guess if I really like an individual song, I can bug you for the album?

Date: 2010-12-10 05:21 am (UTC)
From: [identity profile] intertribal.livejournal.com
I guess, but I feel like the music we share is mostly your idea/impetus (if you get what I mean). Do you know the Tragically Hip? I'm obsessed with their song "Courage." Hmm... energetic and angry. I'll send you the AF album, and... whatever else I think of.

Date: 2010-12-08 10:27 pm (UTC)
From: [identity profile] wendigomountain.livejournal.com
In my opinion (yes, more often than not, the preamble to some seriously failworthy comments ;)) the zombie tale is adaptive to many fears/escapist reactions of any given time. When George Romero came out with Night of the Living Dead, in many ways the movie wasn't about the undead at all, but moreso segregation and racism. At the end of the movie, one of the main protags, a black man, is arbitrarily slaughtered with the undead by a white mob, even though the events of the night were not only the setting for a totally acceptable romantic interest between him and the white woman in distress. The original ending was very powerful at the time. The remake was the same up until the man's infection and execution as being an actual zombie. Sadly enough, at the time, a zombie-pocalypse was the only chance a romance like that would have had a chance.

Now, I think that zombie movies are more escapist. We live in a time where apathy and ignorance are the law of the land. In short, we are already surrounded by zombies. These movies take it one step further by allowing those who are crafty enough to escape this fate to split heads open and basically road rage on everything they hate about society. But the article is right, the zombies keep coming, which means that we are doomed to failure despite our valiant (violent) efforts.

At its core though, zombie-ism is a long way from its roots in vodun. It represents the mundane and the commonplace becoming toxic, infectious, and bloodthirsty. Also, uncontrollable. It gives a quality of betrayal to that which we never feared and always underestimated. It's like Old Yeller getting rabies, but on a society level. In times where we feel like the odds are stacked against us, in Z world, they are. But we can use any means at our disposal to fight back. Unlike the world we live in where we often find ourselves powerless. To use an old cliche, we have met the enemy, and they are us. So destroy the brain and keep moving.

Date: 2010-12-08 11:07 pm (UTC)
From: [identity profile] intertribal.livejournal.com
Yep, Night of the Living Dead was pretty ground-breaking (don't like the remake though).

Right, I think the "road rage on everything they hate about society" is what people get out of zombie movies. Which, though I understand because I certainly feel anger about various things in society, is really pretty creepy, no matter how many odds are stacked against us.

Agreed, these zombies have nothing to do with West African/Caribbean zombies. Those were way more interesting.

Date: 2010-12-08 10:55 pm (UTC)
From: [identity profile] wendigomountain.livejournal.com
Also, there was more to Mary Shelley's impetus for Frankenstein than unbound Promethean dreams of technology. There was the whole Year Without Summer. And Shelley penchant for necrophilia and also watching live demonstrations of electrical current on human remains.

Date: 2010-12-09 01:05 am (UTC)
From: [identity profile] intertribal.livejournal.com
Mary Shelley had a penchant for necrophilia? This I did not know.

Date: 2010-12-09 03:11 pm (UTC)
From: [identity profile] wendigomountain.livejournal.com
According to legend, she used to have sex on her mother's grave. Maybe it's a loose interpretation...

Date: 2010-12-09 12:47 am (UTC)
From: [identity profile] talea-st-amour.livejournal.com
I have to say, I've been thinking about the zombie craze lately and I just didn't get it. Thanks to your post and the article, it's making a bit of sense to me now, though I quite agree with the comment made in the article that there isn't very far to go with the zombie as character. Fast or slow is as diverse as it gets. To me, that's the reason they have NO appeal for me. I can see the appeal of vampires. They are thinking creatures and whether evil or good, have a sort of inherent sexy appeal to the darker side. The whole curse of death and beating death attraction, I understand. If I'm going to live after death, I'd certainly NOT want to be a zombie. The connection to the apathy and idea we live among zombies makes sense to me, but I'd still want to fight the zombies with putting out thinking artistic efforts as opposed to just killing them. ;)

Thanks for an interesting post, article link and discussion. :)

Date: 2010-12-09 01:04 am (UTC)
From: [identity profile] intertribal.livejournal.com
I grew up with Chinese jumping vampires (http://en.wikipedia.org/wiki/Jiang_Shi) (which behave way more like zombies than vampires), so I've always been able to "get" fear of zombies to a certain extent - for me, it's the ol' "everyone else has gone insane/changed, leaving me behind (or making me a target)." So the zombie apocalypse in 28 Days Later was intriguing to me for appealing to those themes of, well, abandonment and isolation. But I don't necessarily see it going any farther, no. As monsters they just aren't very interesting, you're right.

No problem!

Date: 2010-12-09 01:59 pm (UTC)
From: [identity profile] royinpink.livejournal.com
Wait, I thought jiang shi were zombies. Yeah, it says "'stiff corpse' or 'zombie'"? Oh, I see that they later came to suck blood too. But everyone here just calls them Chinese zombies.

Date: 2010-12-09 02:15 pm (UTC)
From: [identity profile] intertribal.livejournal.com
Ah, I used to call them that and was corrected at some point (I don't know by who, possibly the anonymous internet). Anyway, good to know.

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