fragility and shrapnel

[intertribal]

From Politeness and Authority at a Hilltop College in Minnesota.

And yet that is the writer’s work — to notice and question the act of noticing, to clarify again and again, to sift one’s perceptions. I’m always struck by how well fitted these young women are to be writers, if only there weren’t also something within them saying, Who cares what you notice? Who authorized you? Don’t you owe someone an apology?

Every young writer, male or female, Minnesotan or otherwise, faces questions like these at first. It’s a delicate thing, coming to the moment when you realize that your perceptions do count and that your writing can encompass them. You begin to understand how quiet, how subtle the writer’s authority really is, how little it has to do with “authority” as we usually use the word.

Young men have a way of coasting right past that point of realization without even noticing it, which is one of the reasons the world is full of male writers. But for young women, it often means a real transposition of self, a new knowledge of who they are and, in some cases, a forbidding understanding of whom they’ve been taught to be.

- Verlyn Klinkenborg

From Nine Lives: What Cats Know About War.

The bloodiest suicide bombings, even miles away, have the sound and feel of the apocalypse, causing humans to freeze, no matter how often they experience it. Cats need to hear it only once. As they skitter to the safety of trees and bushes, they enter the blast and the tremor on the hard drive of their brains. On the next occasion, come the blast, they barely stir.

Mongrels though they are, our Baghdad cats, we learned from a recent study in the journal Science, have a noble lineage of their own — as inheritors of the same terrain occupied by the felines that were the forebears of all domestic cats, wild families that lived along the banks of the Tigris and Euphrates more than 10,000 years ago.

- John F. Burns